IN THE STUDIO With Daniel Gwirtzman Dance Company at New York City Center (FREE)
Company:
Daniel Gwirtzman Dance Company
For decades, Daniel Gwirtzman Dance Company has pulled back the curtain on how dance is made. This fall, ahead of the Company's 2026 NYC season, we're opening the studio doors wider than ever, inviting audiences in on Saturday, September 12 at 4pm and Sunday, October 11 at 2pm for an intimate look at, and conversation about, the creative process behind our newest work. Known for demystifying concert dance, the Company invites you to hear directly from the dancers about what drives and challenges them, and from choreographer Daniel Gwirtzman about the ideas shaping the work.
“The Daniel Gwirtzman Dance Company is continuing to challenge what can be explored in modern dance.”
— New York Magazine
Building off the success of this past June's two IN THE STUDIO programs, this informal setting offers a rare chance to meet the art before it meets the stage, a chance for audiences to ask questions, share thoughts, and become part of the conversation. No stage. No distance. Just dance, up close. Free and open to all. Two days only at New York City Center Studios. In keeping with the Company's mission that dance can be for everyone, all tickets are free, removing barriers that often make concert dance feel exclusive or inaccessible. Tickets can be reserved here.
Daniel Gwirtzman edits the June 2026 IN THE STUDIO programs into this five-minute mini-film.
The fall, FRICTION, the Company’s first full evening-length work in New York City since 2019, premieres at Ailey Citigroup Theater, 405 W. 55th Street, New York, NY, 10019 on October 29 & 30 at 7pm and October 31 at 3pm. Tickets are $38 general admission, $26 for students and children under 12, and are available here.
FRICTION: a dance exploring AI, humanity, and the sparks where tension, technology, and fractured relationships collide and ignite. It prickles your skin. Pricks. Fastens. Adheres. Sticks. Is Stylized. Edgy. Of this moment. Fault Lines. Schisms. Chasms. Seismic action. Tectonic shifts. Land and people and minds. Tension. Fraying. Relationships. Relations to Self. Friction. Friction is that moment a fire can start. It cannot start without. Neither intercourse. Neither love. Straddling the lines separating technology from humanity, a theme DGDC has portrayed since its first evening-length work, Plasma Field in 1999, through 2023’s e-Motion, investigating sentience in AI, ahead of the curve [Dance Magazine on e-Motion].
What’s the divide between artificial intelligence and real intelligence?
Flashpoint, an ensemble dance developed at the American Dance Festival (2024) explores the contours of relationships, the push and pull of harmony and strife within our lives, and the lines separating intimacy from violence. The dance, which premiered this July in Ithaca, NY as part of the six-performance run Summer Mix, makes its NYC debut as the central dance within the evening-length program.
Daniel’s choreographic style was best articulated by dance critic Deborah Jowitt: “blending casualness with precision.” In FRICTION, Gwirtzman is pushing both the casualness and the precision to the max. In the group section LARGE LANGUAGE MODEL, which previewed June 25/26 at New York City Center’s IN THE STUDIOprogram, the dancers become bytes, pushing against their will, against their consciousness, executing dense, intricate movements at relentless speeds. The dance contains an archive of excerpts from dances in the Company’s repertory, pieces of dances torn up, recontextualized, fed to the machine and regurgitated.
FRICTION captures the tensions and tenor of our time, days before the midterm election, harnessing the fraught emotions that characterize our incivil society.
FRICTION is personal too. Daniel has been fortunate to have had such an extended career as a performing artist, still dancing at a pitch which belies his age. Friction.
Overcoming inertia, getting out of bed, combatting aging, striving, hardships, perceptions, expectations, hopes, comparisons, disappointments, struggles, risks. Friction.
The score has been generated in full in collaboration with the large language model Claude. Daniel has used a range of additional programs to generate various voices, which mirror the thicket of data on display in the dance.
Dancers: Mariah Anton Arters, Derek Crescenti, Daniel Gwirtzman, Sarah Hillmon, Vanessa Martínez de Baños, Johnny Mathews, and Aria Roach.
Costumer: Deb Sivigny
Lighting Designer: Bryan Ealey
ABOUT DANIEL GWIRTZMAN DANCE COMPANY
Daniel Gwirtzman Dance Company, known for its optimistic ethos, was formed in 1998. Since its inception, it has demonstrated a commitment to education, operating with the philosophy and programming that everyone can join the dance. Incorporating dance and story into the film medium has been a consistent practice along with creating original programming for the stage. The repertory has earned praise for its humor, musicality, stylistic diversity, and accessibility. The Company’s acclaimed creation, “Dance With Us,” a free online educational resource, received leadership support from the Rockefeller Brothers Fund and is designed to demystify choreography and increase comfort viewing and speaking about dance. The digital resource showcases the Company’s decade-long practice working in the dance for camera genre. Lincoln Center and The New York Public Library for the Performing Arts presented the Company in 2023 during its 25th Anniversary season in a stand-alone program called Everybody Can Dance. In the summer of 2024, DGDC was in residence at the American Dance Festival where it developed its newest evening-length dance, Flashpoint. In 2025, the Company’s AI-themed theater/dance work e-Motion, a collaboration with playwright Saviana Stanescu, made its NYC premiere at La MaMa during the La MaMa Moves! Festival, which Culturebot reviewed as “profoundly chilling,” noting Daniel’s performance as “masterful.” Also in 2025, Framing Ménerbes, a film created by the Company in Provence, premiered in France, followed by its US premiere at the Dolby Screening Room in Manhattan with guests Donald Byrd and Jovani Furlan leading the post-screening conversation. Since then, the film has screened in theaters in Upstate New York—Binghamton, Ithaca, and Rochester—and in Ann Arbor, MI and Vancouver, WA. The film will screen next in San Francisco at the Alliance Française in January 2027. Other highlights include performances at Jacob’s Pillow Dance Festival, The Kennedy Center, Battery Dance Festival, Fire Island Dance Festival, Bryant Park, Edinburgh Fringe Festival, and Jazz at Lincoln Center. The Company’s robust summer 2026 season included two IN THE STUDIO programs at New York City Center along with a tour of its SUMMER MIX program to Ithaca, NY, with six performances at the Kitchen Theatre Company July 16-19, 2026: https://gwirtzmandance.org/summermix.
ABOUT DANIEL GWIRTZMAN
Daniel Gwirtzman begins his fourth decade as a NYC company director and choreographer in 2026. Since co-founding Artichoke Dance Company in 1995, “a welcome addition to the New York Dance scene” (The New York Times), he has choreographed and performed without pause. Reviews from Artichoke’s debut concert earned him comparisons to Mark Morris, by Elizabeth Zimmer in The Village Voice, whose company he toured internationally with over several years as a guest. An artist/scholar, Daniel Gwirtzman is deeply immersed in multiple arenas: as a producer, dancer, educator, and filmmaker known for his blend of innovative and charismatic work. Collaborations blend genres, take risks, involve communities, promote optimism, and celebrate humanity. The New Yorker and The Village Voice describe him as “a choreographer of high spirits and skill,” and “an abundantly inventive artist with a subtle defiance of gender roles.” The New York Times writes, “Mr. Gwirtzman does know that in dance, less can be more. He can evoke strong feelings with a few gestures.” He has been awarded commissions, residencies, and fellowships nationally and abroad. Daniel is also an Associate Professor at Ithaca College, helping to usher in a new Dance Major, a first for the school, that has gained national recognition for its unique degree. The BFA in Dance and Musical Theatre Choreography is the first of its kind anywhere and welcomes its first cohort this fall. His dance-theater production e-Motion, delving into the concerns of AI, premiered in 2023 and made its NYC debut in 2025. In 2024, he was in residence at the Dora Maar Cultural Center in Provence, France, where he produced the feature-length dance film Framing Ménerbes, for which he directed, choreographed, edited, and performed. The film will screen next on January 12, 2027 at the Alliance Française in San Francisco.
