IMPRESSIONS: Dana Reitz’s "Latitude" as Part of Lumberyard in the City Winter Festival at New York Live Arts

IMPRESSIONS: Dana Reitz’s "Latitude" as Part of Lumberyard in the City Winter Festival at New York Live Arts

THE DANCE ENTHUSIAST ASKS: Director of Civic Programs Solana Chehtman on The Shed's Open Call and Looking Forward to the Future of Art

THE DANCE ENTHUSIAST ASKS: Director of Civic Programs Solana Chehtman on The Shed's Open Call and Looking Forward to the Future of Art

Impressions of: Miguel Gutierrez’s "Age & Beauty Part 1:Mid-Career Artist/Suicide Note or &:-/"

Impressions of: Miguel Gutierrez’s "Age & Beauty Part 1:Mid-Career Artist/Suicide Note or &:-/"

EMBODIED LIFE: Carissa Landes on Transitioning from a Dancer to a Moscow-based, Russian-speaking Consular Fellow and the Rigor and Complexity Found in Both

EMBODIED LIFE: Carissa Landes on Transitioning from a Dancer to a Moscow-based, Russian-speaking Consular Fellow and the Rigor and Complexity Found in Both

Dance Up Close to Daniel Gwirtzman Dance Company

Dance Up Close to Daniel Gwirtzman Dance Company

Jérôme Bel in the ​Crossing the Line Festival presented by FIAF at The Joyce, The Kitchen and MoMA

Jérôme Bel in the ​Crossing the Line Festival presented by FIAF at The Joyce, The Kitchen and MoMA

Impressions of Lance Gries’ “IF Immanent Field”

Impressions of Lance Gries’ “IF Immanent Field”

IMPRESSIONS: FLOCK's "Familiar," Presented by the 92nd Street Y

IMPRESSIONS: FLOCK's "Familiar," Presented by the 92nd Street Y

The Dance Enthusiast Hits the Streets: "New York Meets Havana" at the Museum of the City of New York

The Dance Enthusiast Hits the Streets: "New York Meets Havana" at the Museum of the City of New York

IMPRESSIONS: Mariaa Randall's "Footwork/Technique" as part of First Nations Dialogues: KIN at Performance Space New York

IMPRESSIONS: Mariaa Randall's "Footwork/Technique" as part of First Nations Dialogues: KIN at Performance Space New York

William Forsythe's "In the Middle, Somewhat Elevated" at 30: Then and Now

William Forsythe's "In the Middle, Somewhat Elevated" at 30: Then and Now

IMPRESSIONS: Gwen Welliver's "Beasts and Plots"

IMPRESSIONS: Gwen Welliver's "Beasts and Plots"

The Dance Enthusiast Asks Dance Brazil

The Dance Enthusiast Asks Dance Brazil

IMPRESSIONS: Gillian Walsh’s "Moon Fate Sin" at Danspace Project

IMPRESSIONS: Gillian Walsh’s "Moon Fate Sin" at Danspace Project

MOVING PEOPLE: Jacqulyn Buglisi on William Blake, Reimagining "Table of Silence Project 9/11" during COVID-19, and the Performance with the Martha Graham Dance Company She Would Relive

MOVING PEOPLE: Jacqulyn Buglisi on William Blake, Reimagining "Table of Silence Project 9/11" during COVID-19, and the Performance with the Martha Graham Dance Company She Would Relive

IMPRESSIONS: European Perspectives — Tero Saarinen Company, Compagnie Maguy Marin, and Dresden Semperoper Ballett at The Joyce Theater

IMPRESSIONS: European Perspectives — Tero Saarinen Company, Compagnie Maguy Marin, and Dresden Semperoper Ballett at The Joyce Theater

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