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POSTCARDS: Site-Specific Dances Presents "Love Letters: Cage to Cunningham" at Guild Hall of East Hampton this November 8th

POSTCARDS: Site-Specific Dances Presents "Love Letters: Cage to Cunningham" at Guild Hall of East Hampton this November 8th

By Dino Kiratzidis, Co-Artistic Director Site-Specific Dances

Published on November 4, 2025
Photo: Courtesy of the Artists

A Celebration of the Radical, Queer Collaborative Partnership That Shaped Our Definition of Interdisciplinary Art


Saturday November 8 Guild Hall of East Hampton 7 pm, For tickets and more information, click onto the Guild Hall website here


two men wearing dance belts. one carries the other on his back, the one being carried lies across the carrier with one leg bent toward the sky and the other toward the floor. in the back and on the side wall there are projections of nature and words
 

Love Letters: Cage to Cunningham is a new dance and media performance from Site-Specific Dances, inspired by Love, Icebox—the intimate letters between composer John Cage and choreographer Merce Cunningham. Known for rejecting emotion in their art, these private words reveal desire, humor, jealousy, arousal, loneliness and tenderness, emotions specific to the letters but also universal to human experiences of love and longing.

By bringing the letters to the stage (as immersive typography and dance videography, in conversation with live dance and music), the piece reclaims a hidden chapter of queer history, celebrating a radical queer collaborative partnership that shaped interdisciplinary art as we know it today . 


Thoughts about working on this production from our team:  

Photo: Courtesy of the Artists 

“Our company interweaves our two disciplines - dance and design . We also find ourselves interweaving our romantic relationship ( we’re a gay-married ) with our artistic partnership as directors of Site-Specific Dancers. It not always easy !

In this we’ve found a really poignant parallel with John and Merce available to us through their recently published letters. Even though John and Merce rejected emotion in their artistic work together, Love Letters reclaims an erased queer tenderness previously hidden from view” 

 Michael Spencer Phillips and Dino Kiratzidis, Artistic Directors Site-Specific Dances 

two men in an embrace, one behind the other, both have eyes closed as if in reverie, across their chests are words of love
Photo Courtesy of Artists
 

“ The process for Love Letters has been so creatively fulfilling and rewarding. Diving into the personal history between Merce Cunningham and John Cage has shown that even the most brilliant artists experience the basic need for love and companionship. Their story is so relatable and has given me a lot to connect to “ 

Shawn Lesniak , dancer 

Three men wearing dance belts the color of their skin, in a circular embrace
this is a photo credit

“ As a Graham dancer, it feels good to bring forward the modern lineage, unveiling a different perspective on geniuses from the modern era, diving into different movement languages, enjoying the similarities and differences. It also feels empowering to tell a queer love story today, at a time where we have more freedom of expression. It is important to keep the stories alive in order to keep educating and not regressing in human evolution “

Lorenzo Pagano, dancer 

a screen shot from the projected text in the production, highlighting the words Love and dead with the rest of the image being in shadow
Photo Courtesy of Artists

“The process of creating a new work is one of my favorite parts of being a performer. Learning about the intimate relationship between Cunningham and Cage and bringing snippets of it to life through various mediums has been such a unique and informative experience. Doing so with other queer artists makes it even more special!”

Tracy Dunbar, dancer 

Three men in a circular embrace,  bare torsos featured in this sculptural image
Photo: Courtesy of Artists 

“ Being a part of Love Letters has been eye opening. It’s really humbling to see how intimate, fraught, and fragile someone like John Cage could be, someone we lionize. Reading Love, Icebox for this project was a window into  Cage’s queer inner life, and it’s been really exciting to embody that queerness with the other amazing dancers on and off stage, in and out of rehearsal.”

Julian Donahue, dancer 


Attend Our Benefit at Stonewall  on November 13th 

an invitation to a party at Stonewall featuring the backs of 4 men's torsos as they stand arm in arm with words projected on them


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